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indigenousdialogues:

Photograph: Vahid Rahmanian“The art of Minakari or Enamelling is called miniature of fire as well as the decoration of metal and tile with mina glaze. Minakari or Enamelling is the art of painting, colouring and ornamenting the surface of metals by fusing over it brilliant colours that are decorated in an intricate design.  Mina is the feminine form of Minoo in Persian, meaning heaven. Mina refers to the Azure colour of heaven. The Iranian craftsmen of Sasanied era invented this art and Mongols spreaded it to India and other countries. French tourist, Jean Chardin, who toured Iran during the Safavid rule, made a reference to an enamel work of Isfahan, which comprised a pattern of birds and animals on a floral background in light blue, green, yellow and red. Some experts link the historicity of enameling in Iran to the Arsacides and Sassanid periods. However, the use of this art in the Islamic period is not clear before the reign of the seventh ruler of Mongol empire’s Ilkhanid division in Iran, Ghazan Khan (694-703 AH) who introduced Mongol Persia to Islam.  Ghazan Khan acquired the science of chemistry in a short period and preferred to use his knowledge and endeavors for the art of enameling.”
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indigenousdialogues:

Photograph: Vahid Rahmanian

“The art of Minakari or Enamelling is called miniature of fire as well as the decoration of metal and tile with mina glaze. Minakari or Enamelling is the art of painting, colouring and ornamenting the surface of metals by fusing over it brilliant colours that are decorated in an intricate design.

Mina is the feminine form of Minoo in Persian, meaning heaven. Mina refers to the Azure colour of heaven. The Iranian craftsmen of Sasanied era invented this art and Mongols spreaded it to India and other countries. French tourist, Jean Chardin, who toured Iran during the Safavid rule, made a reference to an enamel work of Isfahan, which comprised a pattern of birds and animals on a floral background in light blue, green, yellow and red.

Some experts link the historicity of enameling in Iran to the Arsacides and Sassanid periods. However, the use of this art in the Islamic period is not clear before the reign of the seventh ruler of Mongol empire’s Ilkhanid division in Iran, Ghazan Khan (694-703 AH) who introduced Mongol Persia to Islam.

Ghazan Khan acquired the science of chemistry in a short period and preferred to use his knowledge and endeavors for the art of enameling.”

- Source

— 1 month ago with 53 notes